"Sweets," released on January 1, 1956, is a quintessential album by the legendary jazz trumpeter Harry "Sweets" Edison. This 45-minute journey into the world of hard bop and bebop is a testament to Edison's mastery of the trumpet and his enduring influence on the jazz genre. Accompanied by a stellar ensemble featuring the incomparable Ben Webster on tenor sax, the down-home Barney Kessel on guitar, and the authoritative Jimmy Rowles on piano, Edison delivers a collection of tracks that showcase his unerring sense of swing and impeccable soloing.
The album opens with "Hollering At The Watkins," a track that sets the tone for the entire record with its energetic and dynamic performance. Other standout tracks include "Used To Be Basie," a nod to Edison's time with the Count Basie Orchestra, and the timeless classic "Willow Weep For Me." Each song on "Sweets" is a masterclass in swing, with Edison's trumpet playing taking center stage, supported by the tight and cohesive backing of his orchestra.
Recorded in Los Angeles in September 1956, "Sweets" captures Harry "Sweets" Edison at the height of his abilities, offering a glimpse into the world of jazz in the mid-20th century. The album's original pressing on the Clef label has become a collector's item, but its reissues on Verve Reissues ensure that new generations of jazz enthusiasts can experience the magic of Edison's playing. Whether you're a longtime fan of Harry "Sweets" Edison or a newcomer to his music, "Sweets" is an essential addition to any jazz collection, offering a timeless exploration of the genre's rich history and enduring appeal.
Harry "Sweets" Edison, born in Columbus, Ohio, in 1915, was a jazz trumpeter whose smooth and lyrical playing style earned him a legendary status in the swing and big band eras. Edison's nickname, "Sweets," reflected not only his sweet tooth and charming personality but also the tender, supple quality of his trumpet playing. He began his career in the late 1930s as a key member of the Count Basie Orchestra, where he honed his skills as both a section trumpeter and a soloist.
Edison's most enduring contributions came from his work as a Hollywood studio musician, where his muted trumpet became a staple in the recordings of iconic singers like Frank Sinatra and Ella Fitzgerald. His distinctive, chrome-tinged obbligatos added a touch of elegance and sophistication to countless jazz-pop recordings. Edison's discography includes notable albums such as "Sweets" (1956), "Sweetenings" (1958), and "Patented by Edison" (1960), each showcasing his unique style and versatility.
Beyond his studio work, Edison was also a prolific solo artist, releasing several albums that highlighted his mastery of the trumpet. His playing, characterized by its warmth and precision, left an indelible mark on the jazz world. Edison's legacy endures as a testament to his artistry and his significant contributions to the rich tapestry of jazz and popular music.
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