Gee Baby Ain't I Good To You

Album Description

"Gee, Baby Ain't I Good To You" is a timeless jazz album by the legendary trumpeter Harry "Sweets" Edison, originally recorded in 1957 and re-released in 2000 under the CoolNote label. This collection of eight tracks is a testament to Edison's mastery of the trumpet, showcasing his signature hard bop and bebop styles that have made him a revered figure in the jazz world.

The album kicks off with the upbeat "Blues For Piney Brown," setting the tone for a journey through classic jazz standards and original compositions. Edison's virtuosic playing is on full display throughout, from the sultry "Blues For The Blues" to the swinging "Gee, Baby Ain't I Good To You." Each track is a showcase of Edison's technical prowess and musicality, backed by a talented ensemble that includes some of the era's finest musicians.

Born in Columbus, Ohio, and raised in Louisville, Kentucky, Harry "Sweets" Edison was a key member of the Count Basie Orchestra, contributing to some of the most iconic jazz recordings of the 20th century. His influence can be heard in every note of "Gee, Baby Ain't I Good To You," making it an essential addition to any jazz enthusiast's collection.

With a running time of just over 43 minutes, this album is a concise yet powerful exploration of Edison's artistry. Whether you're a longtime fan of jazz or a newcomer to the genre, "Gee, Baby Ain't I Good To You" offers a rich and rewarding listening experience that highlights the enduring appeal of Harry "Sweets" Edison's music.

1 januari 2000

2000 CoolNote

About Harry "Sweets" Edison

Harry "Sweets" Edison, born in Columbus, Ohio, in 1915, was a jazz trumpeter whose smooth and lyrical playing style earned him a legendary status in the swing and big band eras. Edison's nickname, "Sweets," reflected not only his sweet tooth and charming personality but also the tender, supple quality of his trumpet playing. He began his career in the late 1930s as a key member of the Count Basie Orchestra, where he honed his skills as both a section trumpeter and a soloist.

Edison's most enduring contributions came from his work as a Hollywood studio musician, where his muted trumpet became a staple in the recordings of iconic singers like Frank Sinatra and Ella Fitzgerald. His distinctive, chrome-tinged obbligatos added a touch of elegance and sophistication to countless jazz-pop recordings. Edison's discography includes notable albums such as "Sweets" (1956), "Sweetenings" (1958), and "Patented by Edison" (1960), each showcasing his unique style and versatility.

Beyond his studio work, Edison was also a prolific solo artist, releasing several albums that highlighted his mastery of the trumpet. His playing, characterized by its warmth and precision, left an indelible mark on the jazz world. Edison's legacy endures as a testament to his artistry and his significant contributions to the rich tapestry of jazz and popular music.