タウン・ホール1972

Album Description

Dive into the exhilarating world of free jazz with Anthony Braxton's "Town Hall 1972," a captivating live album that captures the essence of a pivotal performance from May 22, 1972, at New York's Town Hall. This 2020 reissue, meticulously remastered and presented by DEEP JAZZ REALITY, TRIO RECORDS, and OCTAVE-LAB, offers a fresh perspective on Braxton's groundbreaking work during the height of the free jazz movement.

The album features three extended compositions, each a testament to Braxton's innovative approach to music. "Composition I" and "Composition III" are dedicated to Jerome Cooper and Gene Lee, respectively, showcasing Braxton's collaborative spirit and the influence of his peers. "Composition II" and "All the Things You Are" pay homage to Frederick Rzewski, blending avant-garde sensibilities with jazz traditions.

"Town Hall 1972" is not just a historical document but a vibrant exploration of improvisation and composition. Braxton's saxophone weaves intricate patterns, supported by a dynamic ensemble that includes percussion, piano, and vocals. The album's duration of 68 minutes allows for a deep immersion into Braxton's musical universe, where structure and spontaneity coexist.

This limited-edition release includes new liner notes, providing context and insights into the performance and its significance in Braxton's career. Whether you're a longtime fan of Anthony Braxton or a newcomer to his avant-garde jazz, "Town Hall 1972" offers a compelling journey into the heart of experimental music.

20 mei 2020

DEEP JAZZ REALITY/TRIO RECORDS/OCTAVE-LAB

About Anthony Braxton

Anthony Braxton is a pioneering American composer, educator, and multi-instrumentalist renowned for his groundbreaking work in experimental and avant-garde music. Born and raised on the South Side of Chicago, Braxton is particularly celebrated for his mastery of the saxophone, especially the alto. A key figure in the Association for the Advancement of Creative Musicians, Braxton's innovative approach to composition and performance has left an indelible mark on the music world. His 1969 double-LP "For Alto," a landmark solo saxophone album, showcased his unique vision and technical prowess. Throughout his extensive career, Braxton has continually challenged traditional compositional methods, incorporating graphic scores and other unconventional techniques. His vast body of work, including the notable "Ghost Trance Music," reflects his uncompromising originality and deep intellectual engagement with music. Beyond his compositions, Braxton's residencies and performances, such as his notable residency at The University of Alabama, have inspired countless musicians and enthusiasts alike. Whether exploring free jazz, avant-garde, or jazz standards, Braxton's music is a testament to his enduring creativity and influence.