Dive into the world of avant-garde jazz with Anthony Braxton's "20 Standards 2003," a monumental four-disc set released on Leo Records. This extensive collection, spanning nearly five hours, captures the essence of Braxton's innovative approach to jazz, reimagining classic standards through a lens of free jazz and avant-garde experimentation.
Recorded during two famous European tours in 2003, this quartet features Anthony Braxton alongside Kevin O'Neil on guitar, Kevin Norton on percussion, and Andy Eulau on bass. The ensemble delivers a fresh and unorthodox take on timeless songs like "All The Things You Are," "Take Five," and "Moonlight in Vermont," transforming them into intricate and thought-provoking compositions.
The album's tracklist is a blend of familiar tunes and hidden gems, each piece meticulously crafted to showcase the band's virtuosity and improvisational skills. From the sultry "Green Dolphin Street" to the upbeat "Freedom Jazz Dance," every track offers a unique perspective on the jazz canon.
"20 Standards 2003" is not just a collection of songs; it's a testament to Anthony Braxton's enduring influence on the jazz genre. Whether you're a seasoned jazz enthusiast or a curious newcomer, this album offers a rich and rewarding listening experience that highlights the boundless possibilities of jazz music.
Anthony Braxton is a pioneering American composer, educator, and multi-instrumentalist renowned for his groundbreaking work in experimental and avant-garde music. Born and raised on the South Side of Chicago, Braxton is particularly celebrated for his mastery of the saxophone, especially the alto. A key figure in the Association for the Advancement of Creative Musicians, Braxton's innovative approach to composition and performance has left an indelible mark on the music world. His 1969 double-LP "For Alto," a landmark solo saxophone album, showcased his unique vision and technical prowess. Throughout his extensive career, Braxton has continually challenged traditional compositional methods, incorporating graphic scores and other unconventional techniques. His vast body of work, including the notable "Ghost Trance Music," reflects his uncompromising originality and deep intellectual engagement with music. Beyond his compositions, Braxton's residencies and performances, such as his notable residency at The University of Alabama, have inspired countless musicians and enthusiasts alike. Whether exploring free jazz, avant-garde, or jazz standards, Braxton's music is a testament to his enduring creativity and influence.
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