Solo in Peitz

"Solo in Peitz" is a captivating journey into the mind of avant-garde jazz maestro Anthony Braxton. Released on July 3, 2020, via Jazzwerkstatt, this album is a testament to Braxton's enduring genius and his ability to push the boundaries of free jazz and improvisation. Recorded in Peitz, Germany, the album captures Braxton's solo performances in their raw, unadulterated form, offering a unique insight into his creative process.

The album spans eight tracks, each a unique exploration of sound and silence, lasting a total of one hour and five minutes. Braxton's performances are a masterclass in improvisation, with each track offering a different perspective on his musical language. From the haunting melodies of "You Go to My Head" to the abstract soundscapes of tracks like "No - 392E" and "No - 393E", the album is a testament to Braxton's versatility and innovation.

"Solo in Peitz" is not just an album, but a snapshot of a moment in time, a glimpse into the mind of one of the most influential figures in contemporary jazz. Whether you're a long-time fan of Anthony Braxton or a newcomer to his music, this album is sure to captivate and inspire. The album is available in high-quality digital formats, ensuring that every nuance of Braxton's performance is preserved. So, if you're ready to dive into the world of free jazz and avant-garde music, "Solo in Peitz" is the perfect place to start.

Anthony Braxton is a pioneering American composer, educator, and multi-instrumentalist renowned for his groundbreaking work in experimental and avant-garde music. Born and raised on the South Side of Chicago, Braxton is particularly celebrated for his mastery of the saxophone, especially the alto. A key figure in the Association for the Advancement of Creative Musicians, Braxton's innovative approach to composition and performance has left an indelible mark on the music world. His 1969 double-LP "For Alto," a landmark solo saxophone album, showcased his unique vision and technical prowess. Throughout his extensive career, Braxton has continually challenged traditional compositional methods, incorporating graphic scores and other unconventional techniques. His vast body of work, including the notable "Ghost Trance Music," reflects his uncompromising originality and deep intellectual engagement with music. Beyond his compositions, Braxton's residencies and performances, such as his notable residency at The University of Alabama, have inspired countless musicians and enthusiasts alike. Whether exploring free jazz, avant-garde, or jazz standards, Braxton's music is a testament to his enduring creativity and influence.