Duets 2008

Album Description

"Duets (Pittsburgh) 2008" is a captivating exploration of avant-garde jazz, featuring the masterful Anthony Braxton alongside the talented Ben Opie. Released in 2010 on the OMP label, this album is a testament to the innovative spirit of both musicians, showcasing their extraordinary skill and improvisational prowess.

Recorded in May 2008 at the Carnegie Mellon University recording studio, the album presents two extended compositions: "Composition 220 (+ 278, 29B)" and "Composition 340 (+ 173)." These pieces are not merely performances but deep dives into the boundless possibilities of free jazz and avant-garde music. Braxton, known for his versatility, plays a variety of saxophones and the contrabass clarinet, while Opie contributes on saxophones and clarinets, creating a rich tapestry of sound.

The album's duration of 1 hour and 55 minutes offers a substantial journey through the intricate and often unpredictable terrain of avant-garde jazz. Braxton's compositions are renowned for their complexity and depth, and this album is no exception. Each note and phrase is a testament to the musicians' ability to push the boundaries of their instruments and the genre itself.

"Duets (Pittsburgh) 2008" is not just an album; it's an experience. The interplay between Braxton and Opie is a dialogue of equals, each bringing their unique voice to the conversation. The result is a recording that defies easy categorization, blending elements of jazz, avant-garde, and experimental music into a cohesive and compelling whole. Whether you're a seasoned jazz enthusiast or a curious newcomer, this album offers a rich and rewarding listening experience.

10 dec 2010

2010 Anthony Braxton/Ben Opie

About Anthony Braxton

Anthony Braxton is a pioneering American composer, educator, and multi-instrumentalist renowned for his groundbreaking work in experimental and avant-garde music. Born and raised on the South Side of Chicago, Braxton is particularly celebrated for his mastery of the saxophone, especially the alto. A key figure in the Association for the Advancement of Creative Musicians, Braxton's innovative approach to composition and performance has left an indelible mark on the music world. His 1969 double-LP "For Alto," a landmark solo saxophone album, showcased his unique vision and technical prowess. Throughout his extensive career, Braxton has continually challenged traditional compositional methods, incorporating graphic scores and other unconventional techniques. His vast body of work, including the notable "Ghost Trance Music," reflects his uncompromising originality and deep intellectual engagement with music. Beyond his compositions, Braxton's residencies and performances, such as his notable residency at The University of Alabama, have inspired countless musicians and enthusiasts alike. Whether exploring free jazz, avant-garde, or jazz standards, Braxton's music is a testament to his enduring creativity and influence.