Quartet 1993 - 1st Set - Anthony Braxton

"Quartet (Santa Cruz) 1993 - 1st Set" is a captivating live album by the legendary Anthony Braxton, recorded during his performance at the Knitting Factory in Santa Cruz. This 76-minute set features Braxton on saxophone, accompanied by the formidable trio of Marilyn Crispell on piano, Mark Dresser on bass, and Gerry Hemingway on drums. The album is a testament to Braxton's enduring influence in the realms of free jazz and avant-garde music.

The album consists of two extended compositions, each a testament to the quartet's improvisational prowess and collective musical intuition. Braxton's distinctive saxophone work is as explorative and boundary-pushing as ever, while Crispell's piano playing is both delicate and assertive. Dresser and Hemingway provide a robust and dynamic rhythmic foundation, their interplay adding depth and texture to the performances.

Released on March 30, 2015, by hatOLOGY, this album is a vital addition to any jazz enthusiast's collection. It offers a unique insight into Braxton's collaborative approach and his ability to inspire and challenge his fellow musicians. The album's raw, live energy is palpable, making it a thrilling listen from start to finish. Whether you're a longtime fan of Anthony Braxton or a newcomer to his work, "Quartet (Santa Cruz) 1993 - 1st Set" is sure to leave a lasting impression.

Anthony Braxton is a pioneering American composer, educator, and multi-instrumentalist renowned for his groundbreaking work in experimental and avant-garde music. Born and raised on the South Side of Chicago, Braxton is particularly celebrated for his mastery of the saxophone, especially the alto. A key figure in the Association for the Advancement of Creative Musicians, Braxton's innovative approach to composition and performance has left an indelible mark on the music world. His 1969 double-LP "For Alto," a landmark solo saxophone album, showcased his unique vision and technical prowess. Throughout his extensive career, Braxton has continually challenged traditional compositional methods, incorporating graphic scores and other unconventional techniques. His vast body of work, including the notable "Ghost Trance Music," reflects his uncompromising originality and deep intellectual engagement with music. Beyond his compositions, Braxton's residencies and performances, such as his notable residency at The University of Alabama, have inspired countless musicians and enthusiasts alike. Whether exploring free jazz, avant-garde, or jazz standards, Braxton's music is a testament to his enduring creativity and influence.