Triotone

Album Description

Triotone, released in 2004 on the esteemed Leo Records label, is a captivating album that showcases the innovative spirit of three international jazz luminaries: Anthony Braxton, György Szabados, and Vladimir Tarasov. This extraordinary collaboration brings together the unique talents of Braxton on reeds, Szabados on piano, and Tarasov on drums and percussion, resulting in a rich and immersive listening experience.

Recorded live at the festival of jazz and improvised music in Serbia and Montenegro, Triotone features two thought-provoking compositions by György Szabados, a pioneering figure in Hungarian free jazz and improvised music. The album is complemented by three spontaneous improvisations, which demonstrate the trio's exceptional chemistry and creative synergy.

With its blend of free jazz, avant-garde, and contemporary jazz elements, Triotone is an album that will appeal to fans of experimental and boundary-pushing music. The five tracks, including 'Trioton' and 'Black Toots', both penned by Szabados, as well as 'Improvisation 1', 'Improvisation 2', and 'Improvisation 3', showcase the trio's ability to craft complex, intricate soundscapes that are both challenging and rewarding.

Clocking in at 53 minutes, Triotone is an album that demands attention and engagement, inviting listeners to immerse themselves in its innovative and expressive sound world. With its unique blend of talents and styles, this album is a must-listen for anyone interested in the cutting edge of jazz and improvised music. Anthony Braxton, György Szabados, and Vladimir Tarasov have created something truly special with Triotone, an album that is sure to leave a lasting impression on all who hear it.

1 jan 2004

(P) 2004 Leo Records

About Anthony Braxton

Anthony Braxton is a pioneering American composer, educator, and multi-instrumentalist renowned for his groundbreaking work in experimental and avant-garde music. Born and raised on the South Side of Chicago, Braxton is particularly celebrated for his mastery of the saxophone, especially the alto. A key figure in the Association for the Advancement of Creative Musicians, Braxton's innovative approach to composition and performance has left an indelible mark on the music world. His 1969 double-LP "For Alto," a landmark solo saxophone album, showcased his unique vision and technical prowess. Throughout his extensive career, Braxton has continually challenged traditional compositional methods, incorporating graphic scores and other unconventional techniques. His vast body of work, including the notable "Ghost Trance Music," reflects his uncompromising originality and deep intellectual engagement with music. Beyond his compositions, Braxton's residencies and performances, such as his notable residency at The University of Alabama, have inspired countless musicians and enthusiasts alike. Whether exploring free jazz, avant-garde, or jazz standards, Braxton's music is a testament to his enduring creativity and influence.